659 Free Artworks of Hand Colored And Printed Aquatint

aquatint prints in the yale center for british arthand-coloredyale center for british artthomas rowlandsonedward duncansamuel howittromanticismmetropolitan museum of artpaperhand-colored etching and aquatint
A set of four - Shooting: Plate IV. Refreshing, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Marybone Manor House in the Time of Queen Elizabeth, John Thomas Smith, 1807
aquatint prints in the yale center for british artjohn thomas smith (1766-1833)
Mason, The Duke's Confectioner Disposing of the Trinkets, James Gillray, 1789
aquatint prints in the yale center for british artjames gillray
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Shooting [set of six]: 4. Wild Duck Shooting, James Pollard, 1825
aquatint prints in the yale center for british artjames pollard
A set of four - Shooting: Plate I. Going out, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Menage as Champanzee in Perouse, John Colley Nixon, 1801
aquatint prints in the yale center for british artjohn nixon
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Fox-Hunting [set of six]: 5. The Return, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
Shooting [a pair]: 1. Morning of the first of September, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Hog Hunting: The Charge, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
This Plate representing the Opening of the St. Katharine Docks, on Saturday the 25th of October 1828, Edward Duncan, 1829
aquatint prints in the yale center for british artedward duncan
Coaching: The Cambridge Telegraph, Starting from the White Horse, George Hunt, 1831
aquatint prints in the yale center for british artgeorge hunt
Shooting [set of six]: 6. Packing up, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Fox Hunting: Leicestershire - The Death, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Coaching: North-Country Mails at the Peacock, Islington, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Shooting [a pair]: 2. Evening of the First of September, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Hog Hunting: The Burst, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Specimens of Painting from St. Stephens Chapel, John Thomas Smith, 1804
aquatint prints in the yale center for british artjohn thomas smith (1766-1833)
Set of four: (4) Stag Hunting, Daniel Thomas Egerton, 1808
aquatint prints in the yale center for british artdaniel thomas egerton
John Bull Bother'd; - or - The Geese Alarming the Capitol, James Gillray, 1792
aquatint prints in the yale center for british artjames gillray
Fox Hunting: Leicestershire - The Meeting, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
Shooting [set of six]: 3. Grouse Shooting, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
St. Giles. Winner of the Derby Stakes at Epsom, 1832, Edward Duncan
aquatint prints in the yale center for british artedward duncan
French - Telegraph Making Signals in the Dark, James Gillray, 1795
aquatint prints in the yale center for british artjames gillray
Hog Hunting: The Find, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Clapham Manor-House, Surry, John Hassell, between 1804 and 1822
aquatint prints in the yale center for british artjohn hassell (artist)
Waiting Room at the Admiralty--.(No misnomer) - Plate 6, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas), James Gillray, 1791
aquatint prints in the yale center for british artjames gillray
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets, James Gillray, 1802
aquatint prints in the yale center for british artjames gillray
Mr. B seeking the Bubble reputation - Plate 5, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
View of the Front of the New Public Buildings, Guildford, Robert Havell senior, 1819
aquatint prints in the yale center for british artrobert havell
The banjo lesson, Mary Cassatt, 1893
fine prints in the library of congressimpressionism
A Real Rubber! At Whist, George Hunt, circa 1825
george huntm. egerton
Waiting for Dinner, Thomas Rowlandson, 5 November 1792
satirical art worksromanticism
Waiting for Dinner, Thomas Rowlandson, 22 October 1789
satirical art worksromanticism
[Fox-hunting] set of six: The Cockney's Misfortune. "Going in and out Clever", Charles Loraine Smith, 1817
aquatint prints in the yale center for british artcharles loraine smith
[Fox-hunting] set of six: The Cockney's Misfortune. "Topping a Flight of Rails", Charles Loraine Smith, 1817
aquatint prints in the yale center for british artcharles loraine smith
[Fox-hunting] set of six: The Cockney's Misfortune. "Going Along a Slapping Pace", Charles Loraine Smith, 1817
aquatint prints in the yale center for british artcharles loraine smith
[Fox-hunting] set of six: The Cockney's Misfortune. "Charging an Ox Fence", Charles Loraine Smith, 1817
aquatint prints in the yale center for british artcharles loraine smith
Noël Paymal Lerebours 04 Paris, 1842
19th-century etchingsnoël paymal lerebours
Two of a set of six: 2. Wood-Cock Shooting., Robert Dodd, 1790
aquatint prints in the yale center for british artrobert dodd
At the White Hart Inn, John Harris, 15 December 1787
john harrisrogers fund
[Racing] Set of Four: The High Mettled Racer, Dean Wolstenholme the younger, 1817
aquatint prints in the yale center for british artdean wolstenholme jr.
Fox-hunting [a pair]: 1. Four O'Clock in the Country, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
Plate II: London, the Pool and the Tower (from William Daniell's Six Views of London; Thames side), 1804
aquatint prints in the yale center for british artwilliam daniell
Portrait of an Irish Chief; Drawn from Life at Wexford, James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828, Edward Duncan
aquatint prints in the yale center for british artedward duncan
Hunting, Shooting, etc. [set of six]: 1. Duck Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [set of four]: 3. Partridge Shooting, Samuel Howitt, 1793
aquatint prints in the yale center for british artsamuel howitt
Fox Hunting: Leicestershire - Getting Away, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
[Racing] Set of Four: The High Mettled Racer, Dean Wolstenholme the younger, 1817
aquatint prints in the yale center for british artdean wolstenholme jr.
Plate V: London, Somerset House (from William Daniell's Six Views of London; Thames side), 1805
aquatint prints in the yale center for british artwilliam daniell
Hunting, Shooting, etc. [set of four]: 4. Pheasant Shooting, Samuel Howitt, 1793
aquatint prints in the yale center for british artsamuel howitt
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest., James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's, James Gillray, 1797
aquatint prints in the yale center for british artjames gillray
Fox-Hunting [set of six]: 1. Going Out in the Morning, Thomas Rowlandson, 1787
aquatint prints in the yale center for british artromanticism
Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
The Opening of the Waterloo Bridge on the 18th June 1817, Augustus Charles Pugin, 1818
aquatint prints in the yale center for british artaugustus charles pugin
Fox-hunting [a pair]: 2. Four O'Clock in Town, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
A View of the Frigates Stationed in the Hope under the Command of the Elder Brethen of the Trinity House, Thames Estuary, William Daniell, 1804
aquatint prints in the yale center for british artwilliam daniell
[Racing] Set of four: The High Mettled Racer, Dean Wolstenholme the younger, 1817
aquatint prints in the yale center for british artdean wolstenholme jr.
Hunting, Shooting, etc. [set of six]: 1. "Grow ye Britons then", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Plate III: London, London Bridge (from William Daniell's Six Views of London; Thames side), 1804
aquatint prints in the yale center for british artwilliam daniell
A set of four - Shooting: Plate III. Dogs brought the Fame & reloading, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
South West View of Saint Paul's Cathedral and Blackfrairs Bridge, William James Bennett
aquatint prints in the yale center for british artwilliam james bennett
[Racing] Set of Four: The High Mettled Racer, Dean Wolstenholme the younger, 1817
aquatint prints in the yale center for british artdean wolstenholme jr.
Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Coaching: The Elephant and Castle on the Brighton Road, Theodore Henry Adolphus Fielding, 1826
aquatint prints in the yale center for british arttheodore henry adolphus fielding
A Fete at Cum(berlan)d House; or the Comforts of an Uninhabited Mansion!!!, Richard Newton, 1799
aquatint prints in the yale center for british artrichard newton
Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Fox-Hunting [set of six]: 2. The Chase, Thomas Rowlandson, between 1787 and 1788
aquatint prints in the yale center for british artromanticism
Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [set of six]: 4. "Into the perilous flood", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
[Fox Hunting] A Pair: Yellowham Wood, / County of Dorset..., Henry Thomas Alken, 1834
aquatint prints in the yale center for british arthenry thomas alken
Fox-Hunting [set of six]: 6. The Dinner, Thomas Rowlandson, between 1787 and 1788
aquatint prints in the yale center for british artromanticism
Fox Hunting: Leicestershire - Full Cry, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
A Magic Lantern, Rudolph Ackermann, 30 January 1799
thomas rowlandsonhenri merke
The Long Room, Custom House (Microcosm of London, plate 28), Augustus Charles Pugin, 1 July 1808
aquatint prints in the metropolitan museum of artmicrocosm of london, volume 1
View at Delhi near the Mausoleum of Humaioon, Thomas Daniell, 1 February 1803
british library asia, pacific and africa collectionsorientalism
An Antiquarian, Thomas Rowlandson, 23 October 1789
william holland (publisher)romanticism
View of the Old Corn Market and Tuns Inn, Guildford, Robert Havell senior, 1819
aquatint prints in the yale center for british artrobert havell
Finding things not exactly what he expected - Plate 2, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Cries of London, No. 8: Hot Cross Buns, Thomas Rowlandson, 4 March 1799
rudolph ackermannromanticism
The Rival Whiskers, Theodore Lane, circa 1824
theodore lanegeorge hunt
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